Estas fuentes los permiten:
Web.is a no-nonsense high-contrast oldstyle-serif face. It is a contemporary classic for newspaper and book setting, designed by Fred Smeijers and distributed via OurType. Available for print and
Benton Sans is a Tobias Frere-Jones performance of Morris Fuller Benton’s News Gothic genre. Designed for Font Bureau, it is not only a great typeface for small print in newspapers, but one of the best-rendering text faces for the Web as well. Available for print and Web.
Ibis is another Font Bureau typeface, designed by Cyrus Highsmith. This square serif family is also no stranger to cross-media text-setting. Ibis works just as well whether you use it in print or on screen. Available for print and Web.
Ingeborg is modern serif family from the Viennese type and lettering powerhouse, the Typejockeys. Like any proper family should, Ingeborg has optically-sized variants for text and display settings. The display versions of the typeface can get pretty far out, too! Designer Michael Hochleitner named this typeface after his mother. Available for print and Web.
Fred Smeijer&srsquo;s work in contempory type design is so significant that he gets two shout-outs in my list. His Web.type family takes a nod from 19th century grotesques, but he does not try to sanitize their quirky forms, as so many type designers had tried to do before him. Available for print and
Martin Majoor’s FF Scala Sans has been my top go-to typeface for almost 15 years. It mixes well with the serif FF Scala type, but it’s also really great on its own. Available for print and Web.
Of all the typefaces designed by Hermann Zapf over his long career, URW Grotesk is clearly the best. Unfortunately, it has been a little overlooked. URW Grotesk is a geometric sans, with a humanist twist that brings much more life into the letters than this genre usually allows for. Plus, the family is super big. Available for print and Web.
Are you a DIY-fan? Do you like to print with letter press, whether you set your own type by hand, or have polymer plates made? Then check out the typefaces of Emil Rudolf Weiß! His Weiß-Antiqua is an eternal classic. Weiß may have passed away 70 years ago, but his work is still relevant. He was German, so his last name is sort of pronounced like Vice, as in Miami Vice. Available for print and Web.
(recopilación de Smashing Magazine)